sat 02

2 September 2023
  • Glue Banta (Jonny Farrow) - The Distract and Disable Program Episode 7

    2 September 2023  12:00 am - 1:00 am

    Glue Banta is a disembodied voice, a host, a nonsense name intended to be an invocation to open the subconscious to non-reality; an imaginary and immersive space for the listener; a place where ghosts manifest, aliens walk among us, systems fail and organisms mutate. The program is recorded as a performance derived from many different sources: vinyl, cassette tape, field recordings, live radio, various texts, film soundtracks from DVD, and paranoid internet ramblings, which are subsequently manipulated through various analog and digital means. This episode features descriptions of Atlantean Crystals as well as the loading of canons.

    Biography:

    Jonny Farrow (as Glue Banta) hosted Wave Farm/WGXC's monthly radio show The Distract and Disable Program from 2011-2016, and is part of the NRRF Radio collective. He also makes sculpture, sound art, paintings, and prints. His radio work has been heard worldwide via such festivals as Radiophrenia, Poniia (soundcrack), New Adventures in Sound Art, Safina Radio (Venice Biennale), Electrofest (UAE), and Radioee. His sound work and music has been released by and appeared on Hello CD, Dive Records, Rhinestone Records, Five Leaf Clover, free103point9, and Must Die Records.

    Contact:
    Jonny Farrow
    Email: jonnysounds@gmail.com
    IG: @jonnyfarrow
    FB: Jonny Farrow
    Web: https://jonnyfarrow.net

    Weblinks:
    The Distract and Disable Program Blog
    https://distractanddisable.blogspot.com

    Wave Farm Show/Artist's Page
    https://wavefarm.org/ta/archive/artists/y0vja9

    Wave Farm/WGXC Archive
    https://tinyurl.com/yjvlnks6

    Jonny Farrow
    https://jonnyfarrow.net

    Safina Radio (for Venice Biennale)
    Circuits±Waves (Jonny Farrow/Glue Banta)
    https://www.safinaradioproject.org/venice-audio-and-sound
     
    NRRF Collective Links:
    Tumblr:
    https://nrrfbradio.tumblr.com/
    Soundcloud:
    https://soundcloud.com/nrrf-radio
  • Radio Concrete 44 - Musica Nova

    2 September 2023  1:00 am - 1:30 am

    Title: Radio Concrete 44 - Musica Nova   Description: The live recording of this episode took place in Schocken6, Tel-Aviv, featuring ensemble Musica Nova (Maayan Tzdaka, Orr Sinay, Yifeat Ziv, Adi Snir) and Hagai Izenberg.   Short Bio: Ensemble Musica Nova is an Israel-based collective of musicians, composers and artists, collaboratively exploring the vast terrain of experimental music and contemporary sound. They are working together to expand the borders of the medium and enrich the dialogue between music and the fields of arts, technology and science.
  • Radio Parazit - Episode 3 Tension Lunar

    2 September 2023  1:30 am - 2:00 am


    Radio Parazit–in English, “Parasite Radio”–contains and broadcasts my explorations around ‘Diasporic Imaginaries.’ Through a series of experimental radio broadcasts, I think and share out loud about experiences, thoughts, and hopes with material derived from personal stories rendered in artistic and acoustic explorations. My voice, however, is not singular. Instead, I suggest a singular perspective of a constellation of voices I have encountered over the years. These voices have shaped my own and have shortened the distance between the subjects and places that build my own diasporic experience in this world.

    A series of 4 episodes connecting to ideas around Diaspora, the Indigenous, the Planet, and Symbiosis.

    -    Diáspora
    -    Parásito
    -    Tensión Lunar
    -    Otrxs Mutualismxs
     
    Biography:

    Nicolás Kisic Aguirre is an architect and trans-disciplinary sound artist who creates machines that explore and illuminate the social and political nature of sound in public space. In 2018, he graduated from the MIT program in Art, Culture and Technology. Informed by his background in architecture and a lifelong fascination with machines, Kisic Aguirre designs and builds sound instruments that explore the connection between public space, power, technology, and sound. His critical and aesthetic practice is open-source, collaborative, and deeply engaged with the public. Nicolás is currently a Ph.D. student in the DXArts program at the University of Washington Seattle.

    http://www.nka.pe
    internet@nka.pe
  • The Conduction Series - Potential Energy, Ready to Burst

    2 September 2023  2:00 am - 3:00 am


    AUGUST BLACK (Boulder, CO)•BETSEY BIGGS (Boulder, CO)•JEFF ECONOMY (Kingston, NY)•JIMMY GARVER conductor (Leeds, NY)•MAXIMILIAN GOLDFARB (Hudson, NY)•PETER COURTEMANCHE (Vancouver, Canada)•VIRGINIA MANTINIAN (Denver, CO)

    The Conduction Series is a collaborative live radio broadcast produced by a group of sound and transmission artists across the Americas on Wave Farm’s WGXC 90.7-FM Radio for Open Ears in New York’s Upper Hudson Valley. The group comes together on the first Friday of every month at 4:10pm ET using the web platform Mezcal. Emphasizing LIVE interactivity and media archaeological methods, the series explores themes of migration, feedback, user participation, low-key and on-site interaction with mobile devices, and remote collaboration at scale.

    https://conduction.wavefarm.org/
  • The Conduction Series - Surveillance Rochambeau

    2 September 2023  3:00 am - 4:00 am

    ANNA FRIZ (Vancouver, Canada)•AUGUST BLACK (Boulder, CO)•BETSEY BIGGS (Boulder, CO)•JEFF ECONOMY conductor (Kingston, NY)•PETER COURTEMANCHE (Vancouver, Canada)•VIRGINIA MANTINIAN (Denver, CO)

    The Conduction Series is a collaborative live radio broadcast produced by a group of sound and transmission artists across the Americas on Wave Farm’s WGXC 90.7-FM Radio for Open Ears in New York’s Upper Hudson Valley. The group comes together on the first Friday of every month at 4:10pm ET using the web platform Mezcal. Emphasizing LIVE interactivity and media archaeological methods, the series explores themes of migration, feedback, user participation, low-key and on-site interaction with mobile devices, and remote collaboration at scale.

    https://conduction.wavefarm.org/
  • The Conduction Series - April Showers

    2 September 2023  4:00 am - 5:00 am

    ANNA FRIZ (Santa Cruz, CA)•AUGUST BLACK (Boulder, CO)•AUGUSTÍN GENOUD (Buenos Aires, Argentina)•BETSEY BIGGSconductor (Boulder, CO)•FLORENCIA CURCI (Buenos Aires, Argentina)•JEFF ECONOMY (Kingston, NY)•JIMMY GARVER (Leeds, NY)•MAXIMILIAN GOLDFARB (Hudson, NY)•PETER COURTEMANCHE (Vancouver, Canada)•VIRGINIA MANTINIAN (Denver, CO)



    The Conduction Series is a collaborative live radio broadcast produced by a group of sound and transmission artists across the Americas on Wave Farm’s WGXC 90.7-FM Radio for Open Ears in New York’s Upper Hudson Valley. The group comes together on the first Friday of every month at 4:10pm ET using the web platform Mezcal. Emphasizing LIVE interactivity and media archaeological methods, the series explores themes of migration, feedback, user participation, low-key and on-site interaction with mobile devices, and remote collaboration at scale.

    https://conduction.wavefarm.org/
  • NOMADIC COSMOLOGIES AND FUGITIVE POWER: Red Forest Radiogram #3: Enchanted Technologies of Transmission

    2 September 2023  5:00 am - 7:00 am

     Diana McCarty in conversation with Anna Bromely, Tetsuo Kogawa & Alla Mitrofanova with Sonic Intervention by JD Zazie

    Radio is not only a media-form but also a phenomenon of radiation. Let us think of radio as an emitting action/process where receiving is part of transmitting. An action of radio transmission-reception would be a kind of self-oscillation and the relationship between this action and the audience would be a resonance that enchants our various emotions and moves our bodies. The point of transmission between technology and nature is our body that might temporarily provide an enchanting process where technology, art and our existence resonate together.

    Anna Bromley is an artist, radio producer, and writer that got her start in the DDR. Her installations, re-enactments, and sonic projects have been recently commissioned by international festivals such as the documenta14, and the Manifesta 14, and beuys2021| beuysradio. She conducts research and teaches on dissident and clandestine radio practices,and their herstory(s) from below. https://www.annabromley.com/

    Tetsuo Kogawa in his 80 years of life, teaching, directing and free-radio activisim turned out to be a joke. He is now more concentrating himself on "transmission" practice from "radio without contents" to radiation-art and even to writing as "écriture transmission". https://radioart.jp

    Alla Mitrofanova is a feminist critic and philosopher working with media art and new ontologies. She writes and lectures on contemporary philosophy, the theory of feminism, art, science and performance. Mitrofanova lives and works in St. Petersburg. 

    JD Zazie (aka Valeria Merlini) is an experimental DJ, avant-turntablist, sound artist and curator from Bolzano based in Berlin. Coming from a DJ and a radiophonic background JD Zazie has explored different approaches to real-time manipulation of fixed recorded sound. In her work she redefines DJ and electroacoustic activities. https://jdzazie.tumblr.com
     
     
    https://www.goethe.de/ins/it/en/sta/mai/ver/tri.html
     
     
    The Red Forest is a loose knit assemblage based on affinities and  overlapping practices that grounds together research, art, political  imagination, and social actions striving for transformative justice  and ecological reparations. In 2021 they initiated a pan-continental  research focusing on the intersections between contemporary  extractivism and datification processes. Red Forest assembles and  organizes their work with infrastructures of collective reciprocity  and interdependency as actual potentiality. Their research contributes  to the theoretical framework of Energetic Materialism to conceptualize  urgent cultural and social processes in the defense of life and the  construction of pluriversal futures in dignified flux.    
     
    Red Forest is mobilized by David Muñoz-Alcántara, Diana McCarty, Mijke  van der Drift and Oleksiy Radynski, after their collective practices  super collided during a 2019-2020 BAK Fellowship in Utrecht. It  unfolds as a growing constellation of artists, activists, researchers,  media producers, filmmakers, philosophers, educators and time  travelers realizing interdisciplinary projects. In 2021, their ongoing  research on Extractivism, Datafication, and Transformative Justice was  supported by the Kone Foundation in Finland led to: producing an  experimental social and durational performance series in Kyiv and  Berlin titled Sambatas Stagings, supported by Goethe-Institut  Co-Production Fund Kyiv and Haus der Kulturen der Welt, Berlin and in  2022, they convened Red Forest Radiograms - Nomadic Cosmologies &  Fugitive Power - as the German Pavilion of the the 23rd Triennale  Milano. In 2023, their KONE supported research is on "Energy-Matters  in the context of war. Neo-extractivism, fossil fascism, and the  post-national question”. They are currently producing "On the Loss of  Energy. Radiogram from the remnants of collisions", an experimental  audio piece for the 2023 Helsinki Biennale
  • JF Barber - Dawn Birds, Light Traffic, Melodic Machines

    2 September 2023  7:00 am - 8:00 am

    Dawn Birds, Light Traffic, Melodic Machines is a 58:00 sonic narrative collage composed of field recordings from Dubai, Victoria, and Vancouver. This combination seeks to foreground, through either sonic similarity or serendipity, a fluidity of time and place solidly grounded in rich listening experiences. A sense of a place. A believable experience of being in that space. Engagement with listeners’ imaginations to shape images and stories of their own making. Created 2022 by John F. Barber.

    John F. Barber convenes with The Creative Media & Digital Culture program at Washington State University Vancouver. His radio + sound art have been broadcast and exhibited internationally. A current project is Re-Imagined Radio (http://www.reimaginedradio.net) which combines media art production, scholarship, and performance to explore documentary performance style storytelling for radio broadcasts, listening events, live streams, and podcasts.
  • Shorts 13

    2 September 2023  8:00 am - 9:00 am

    1) Vicki Hallett - Upstream (9:21)  
    2) Bernd Schumann - Étude-tableau (6:31)  
    3) Wulf Steel - Observing  (2:30)  
    4) Ralph Lewis - Abandoned Ship (14:15)  
    5) Jamie Flett and Jude Williams - Let Me Hold (Skin To Skin) (4:59)  
    6) Sharony Green - Kalimbird (5:42)  
    7) Mark Ferguson - Machair Impressions (10:05)
    8) Fiona Grau - Cry Baby (4:58)

    1) Vicki Hallett - Upstream

    Upstream is a long-form sound journey.
    Listen to the Urban soundscape as we paddle in a kayak, passing underneath the Queens Park one-lane bridge and continue upstream towards the confluence of the Parwan (Barwon) and Moorabool Rivers, in Djilang, Wadawurrung Country, Victoria, Australia,

    Vicki Hallett is a composer, versatile musician, sound artist and educator with a unique approach of combining acoustic ecology, scientific analysis and innovative performance practices. This exploration has led Vicki to develop a collaborative concept, with Cornell University's Elephant Listening Project. Vicki travels the world recording nature’s sounds as well as improvising in acoustically interesting environments including Mabolel Rock (South Africa) with Hippopotami, and the Amazon jungle. Her focus is to document and record the ever-diminishing habitats and species of our planet through multi-channel and  extended field recordings. These are used in installations, live performances, compositions and recordings.

    http://www.vickihallett.com
     
    2) Bernd Schumann - Étude-tableau

    3) Wulf Steel - Observing  

    An excerpt from the collection of poems Fallen. The full collection is yet to be completed but continues to ferment and grow. The excerpt here contains the poems
    Observing, Holding on, Downfall, Consequence and Ache which are grouped together in the collection.

    Always been a writer and always wanting to get work out there. A lover of performance, and someone who likes to think.

    https://www.cityofpoets.com/team/wulf
    https://www.cityofpoets.com/items/clarity-is-sought
     
    4) Ralph Lewis - Abandoned Ship

    “Abandoned Ship” is the remaining audio jetsam of a larger radio art project. In its original state, This and other movements were meant to be a radio art suite, celebrating the broken-down maritime elements from different angles. In its current form, it is a sort of sinking museum of what lives on when a collaboration crumbles. Get out while you still can!

    Ralph Lewis is a composer who loves the collaborative, public, and experimental qualities of radio art. Projects through the last years include a commission from Oberlin Arts and Sciences Orchestra for a live-to-Zoom orchestral work “Straight Into Tangles,” collaborations with Dave O Mahoney in their duo Shan-uh-kees, and dance collaborations with Sara Hook, Kayt MacMaster, Abby Williams Chin, Mike Minarcek, and Brant Roberts on “Dick and Janes/Another Chance So Suite.” He received his doctorate in music composition from the University of Illinois in 2021.
     
    5) Jamie Flett & Jude Williams - Let Me Hold (Skin To Skin)

    Underneath the ecstatic news of Peggy’s birth ran a murkier and more convoluted story, like a peaty black stream under its carapace of sparkling frosted ice. It was revealed only when her mother Jude decided to uncover and excavate it as one part of a means of processing it.

    Oscillating over the thresholds between life/death; womb/world; home/lost; warmth/austerity; natural/clinical; security/terror; love/pragmatism; control/entropy; mother/father; entrails/soul; Jude and Peggy went from being symbiotically joined to somehow being brutally disconnected. The transfer of physical, emotional and mental bond from within skin to without was interrupted. Simple, primal contact denied.

    Jamie Flett is a music maker from Aberdeen living in Glasgow. Since his first collection of songs he’s tried to resist the artificial limitations of defining himself as a ‘singer-songwriter.’  This has resulted in attempts to investigate some remoter sonic territories.  As well as more songs.
    https://www.jamieflett.com/

    Judith Williams is Peggy’s mother and a multifaceted artist who acts and sings as well as making theatre and poetry.  Her work is rooted in a love of all life, relationships, connections, community and transformation.  In the form of story, song, ritual, ceremony, events, workshops, making theatre or a walk to the shops.
    http://www.judithwilliams.me/  

    6) Sharony Green - Kalimbird

    Is it a nest? Bedcovers? A bird and South Africa calling? I mashed sounds around my house at midnight & dawn around the time of the 2023 equinox & merged them w/ the kalimba in my office. That moment between the coldness of winter/metal/technology and warmth of spring/my bed/equator evoked.

    I teach history at the University of Alabama while making a lot of quirky art in and outside the classroom. I was born in Miami, Florida, with roots in the Deep South and the Bahamas. My book on Zora Neale Hurston’s romp through Honduras is out this fall. I made a doc on the late jazz guitarist Grant Green, my former father in law, that actually played in Edinburgh’s Cameo in 2017. Also showed it in Reykjavik and Harlem. I breathe through the headlines.

    https://soundcloud.com/sharonyagreen/
    https://www.mixcloud.com/sagreen1/
    https://sharonygreen.com/
    https://www.instagram.com/sharonyagreen/
    https://twitter.com/sagreen1913
    https://www.youtube.com/c/SharonyGreen

    7) Mark Ferguson - Machair Impressions

    Machair. Gaelic; noun [mass noun]. Fertile, wildflower-rich grassland habitat found on the northwestern coastlines of Scotland and Ireland.

    Five sonic impressions from the perspective of a great yellow bumblebee, composed out of source materials gathered around the Hebridean Island of South Uist in August 2019:

    I    Open grassland with red clover and knapweed, from Daliburgh to Askernish.
    II    Internal sounds of thistle, burdock, ragwort and Yorkshire fog grass.
    III    Great yellow bumblebee queen (reconstructed nest interior).
    IV    Bumblebee mating activity (reconstructed nest entrance).
    V    North Atlantic surf, from the ancient burial grounds at Cladh Hallan.

    Mark Ferguson is a wildlife sound recordist and sound artist, best known for his projects exploring UK and European bat, bird and bumblebee species. His award-winning work has been broadcast by the BBC, mentioned by the Guardian, and selected for performance in leading arts and cultural venues around the world. http://www.markfergusonaudio.com

    8) Fiona Grau - Cry Baby

    “Cry baby” is a piece about violence. The violence itself is not said, but appears in the interstices of what the female voice tells or rather does not tell. For the sound composition I used the clicketing sounds of plants in distress, the noise of a port, a false eagle and the rumbling sounds of earthquakes. It is a piece not only about the violence present in women’s lives, but also in nature and our ways of treating the earth.

    Fiona Grau, born 1986 in Germany. She studied philosophy, literature and politics. Since 2020 she has been working as a market gardener and has her own agricultural project in Brussels with bluette_maraichage_et_fleurs (instagram). She writes and has published poetry in several German speaking literary magazines.

    Instagram: @fiona.grau; gardening project: @bluette_maraichage_et_fleurs
  • Mary Farfisa's Outer Space Radio Theater - The Dream Boat

    2 September 2023  9:00 am - 9:30 am

    THE DREAM BOAT - The flying 'Dream Boat' has hit a cloud-berg, and its cargo of musical dreams are escaping. Captain Slumber and his First Mate, Jollypop, ask Mary and Briscoe to help.
     
    A children's radio series written and produced by Jim Cheff. Starring Cara Alboucq, Nancy Andrews, Leslie Baker, Jim Cheff, Bill Culbertson, Kris Culbertson, and Miranda Marie. Acoustic guitar music written and performed by Terry Alan. Theme song by Cara Alboucq. ©2017 Jim Cheff, All Rights Reserved.
     
    'Mary Farfisa's Outer Space Radio Theater' was heard every Saturday morning for two years on local station KSZN in Flagstaff Arizona. Its entire run is available now as a podcast.

    https://medium.com/kidslisten/get-to-know-a-show-mary-farfisas-outer-space-radio-theater-569980d64210

    rss.com/podcasts/maryfarfisashow

    jimcheff@suddenlink.net
     
  • Paulina Pikiewicz - SWAMP 4: THE BOGS OF POWER

    2 September 2023  9:30 am - 10:00 am

    A sound design experiment focusing on creating the atmosphere to the fictional game – “SWAMP 4: THE BOGS OF POWER”. You will hear the main theme, units and buildings sounds of 4 races – religious Młakanie, Cibrowitnis as a traffickers, cook enthusiasts - Gruntinesia and military Płotusi. Each of them need Amonnia to their living. That's the aim of a game - to collect Ammonia as much they can. The experiment has its premiere as a sound installation in Department of Sound Katowice, Poland. Polish radio and sound artist. Creator of an audio doc and audio dramas. Freelancer podcaster, lecturer, sound designer, music columnist. Multi-radio-instrumentalist. Co-founder of Radio Klang and Kulminacja Foundation in Silesia, Poland. Author of drawings and graphics on Instagram account @rysunki_pikiewitz and @pikiewitz.
  • Kazuya Ishigami - ANITYA 2023-04-28

    2 September 2023  10:00 am - 10:45 am

    ANITYA means "impermanence" in Sanskrit.
    Every sound has an impermanent radiance. Sound is like a living thing; it is born and dies.
    This work is composed of sounds generated in various times and spaces.

    KAZUYA ISHIGAMI (b. 1972, Osaka/JAPAN) is a composer, sound designer, sound performer and sound engineer in the field of Electro-acoustic/Acousmatic/Post-Acousmatic/Ambient/Noise, etc.  He began playing with the tape recorder and making cut-up and collage works in early childhood.
    His pieces have been performed at DR (Deutschland Radio/Germany),WDR (Westdeutscher Rundfunk/Germany), SR (Radio Saarbruecken/Germany), HR (Hessischer Rundfunk/Germany), IICMC (2015_USA/TEXAS), among others. He has an independent label, NEUS-318, and has released more than 100 works.

    https://kazuyaishigami.bandcamp.com/
    https://neus318.bandcamp.com/
    https://omodaru.bandcamp.com/
    https://soundcloud.com/kazuya_ishigami
  • MP Hopkins - Misting - Part 1

    2 September 2023  10:45 am - 11:00 am

    From the forthcoming album 'Misting' on Nice Music.
  • Félix Blume - Desierto

    2 September 2023  11:00 am - 11:30 am

    An invitation to go down the altiplano Potosino, a desertic mexican region. On its elevated plains, desert is far from being empty. We can listen to the inhabitants from the small villages widespread over the desert. Shepards guide us next to their sheep and goats, we travel by donkey or cart for plowing the fields. Between cactus and bushes, cows look for blades of grass. Back in town after a long journey, we found ourselves at the church in the patronal feast. As an echo of the train crossing the vastness, coyotes sing as their way of partying.

    Félix Blume (France, 1984) is a sound artist and sound engineer. He currently works and lives between Mexico, Brazil and France. He uses sound as a basic material in sound pieces, videos, actions and installations. His work is focused on listening; it invites us to a different perception of our surroundings. His process is often collaborative working with communities, using public space as the context within which he explores and presents his works. He is interested in myths and their contemporary interpretation in human dialogues both with inhabited natural and urban contexts in what voices can tell beyond words.

    https://felixblume.com/
    https://felixblume.com/desierto/
    https://www.instagram.com/felix____blume/
    https://www.facebook.com/felixblume
  • Buffer Zone

    2 September 2023  11:30 am - 12:00 pm

    1) Aine O'Dwyer - Deep Sound Invocation & Hymn of Memory (from 'Music for Church Cleaners') (5:37)
     
    2) Alexandra Spence - and were suddenly silent  (5:50)

    3) Jim Colquhoun and Jamie McNeill -
    THREEPWOOD (8:34)

    https://soundcloud.com/colquhoun-mcneill

    https://www.instagram.com/colquhoun_mcneill/

    drive.google.com/drive/folders/1a8YslY41mF3Ey3Spa0QBwnGzWqyWV6o2

     

  • Nika Son & Becky Šik - TONFALL – Remember, I must use the stairs

    2 September 2023  12:00 pm - 12:30 pm

    Two strangers matched together, their practices intertwine
    A blank page
    Growing from there
    An open cupboard buzzes and humms
    Sending snippets in stolen moments
    The circle drops, opening a wide and generous hole
    Slippage
    Talking, passing, exchanging, reasoning, corresponding, joking, transposing
    Systems cycle in loops
    Accents, language, tones, intonations, cues, pitch, syllables
    Prompts
    The megalithic Ouroboros fun machine that is Barbie
    Touching an elephant
    Circles, water, falling sound
    Escalators, circular systems, sleep, not sleep
    Words that don’t exist
    Gleichgewicht
    Walking with dizzy spells in saturation
    Reflecting, twisting, alternating, translating, modulating, jumping from
    On the edges – a Hallwall
    Again the elephant, transponder, closed water, eyes
    What does it mean to be open and what slips away?
    Souffleuse, Echoschwelle, Tonfall
    X1, mnemonic, delay
    Asking, loops, deathbed
    What’s wrong with my eyes, oscillating, brown noise
    Pulse
    What is an orbit sound
    Missing the radiator, voices, vertigo
    I could spell it fownetikally/ foʊˈnet̬.ɪ.kəl.i
    Meter eater
    Mi devas uzi la ŝtuparon



    For their Goethe-Institut / Radiophrenia Residency, Nika and Becky will share and intertwine methods and ideas within their individual practices, through field recording, call and response collaging and collaborative audio experimentation. The work will develop from their shared interest of peripheries and the echoes of invisible forces, energies and atmospheres of spaces and events that exist in the in-between.

    The piece was developed during a week long residency at CCA funded by the Goethe-Institut Glasgow in collaboration with Radiophrenia. We are grateful for their support.

    Becky Šik is an artist filmmaker based in Glasgow whose work spans moving image, installation, sound, music, writing and publishing, often working collaboratively. Their recent moving image work explores the echo, electromagnetic phenomena and technologies as way of understanding the body’s relationship to constructs of time and state.

    Becky has presented work across the UK and Internationally, most recently with a film screening at Supernormal festival; Footnotes, a collaborative Radiophrenia broadcast with Sarah Forrest; and the solo exhibition Mercury at Collective Gallery, Edinburgh.

    Nika Son studied Fine Arts in Hamburg and has since worked as a musician, artist, film composer, curator and DJ. Influenced by Musique Concre te and the outer space of electronic music, her compositions are built from modified and fragmented field recordings, interwoven with analog synthesis, broken rhythms, rare voice scraps and modulated tape. Sounds of various origin are translated into a very unusual musical language, as if one watches the audible.

    She appeared on various labels, such as Mmodemm, Kashual Plastik, VIS, First Terrace Records, TAL, Sky Walking, Anti-Ghost Moon Ray and her own imprint Noctui. Her latest album To Eeyore was released on the label Entr’acte in 2020. A new album is coming this year.

    Alongside her solo concerts, she creates radio pieces, video and sound installations, and has collaborated for many years with various companions, most notably with filmmaker and artist Helena Wittmann and musician F#X (Cwelle). In her work as a soundartist for experimental film, she is among other responsible for the score and sound design of Helena Wittmann’s highly acclaimed films DRIFT and Human Flowers of Flesh. For over a decade she hosts regular art and music events at the Golden Pudel Club in Hamburg with various international guests. In 2018 she staged a two-day festival called Eruption, freely based on the musician and video artist Conrad Schnitzler. Since 2019, she co-curates the festival Papiripar together with Felix Kubin and Florian Bräunlich.

    http://www.nikason.de

    Supported by the Goethe-Institut Glasgow.
  • Ivan Rivelli - TRÁNSITO ESQUIZOFÓNICO 42

    2 September 2023  12:30 pm - 1:00 pm

    Unfinished, wandering and constantly changing construction of the collective sound memory of the Comarca Andina. Paralelo 42.  El Bolsón. Patagonia Argentina.  Soundscapes interpreted and remembered by its habitants. It is memory, it is memory and it is re-signification. Unification of scattered fragments of memories. Union of past and present through listening. Auditory decontextualization. They are soundscapes that carry diverse and broad meanings.  The structure of the program reproduces certain changing and confusing patterns, just as memory works. Unifying fragments and repeating. Wandering, changing, unfinished. Sound identity of shared experiences

    Ivan Rivelli lives in El Bolsón (Río Negro) where he develops his studies and production of sound art. In some cases, the sound piece recovers its own meaning, but most of them are the materialization of a broader process such as a poetic action, a drift or an investigation. The characteristic features of his productions go through studies on the sound identities of the territory, listening, phonographic practice, soundscape, field recording and cartographic processes. He made sound pieces that were published in different compilations published in Chile, Peru, France, the United Kingdom and Bolivia.

    https://transitosonoro.com.ar/
  • Shorts 27

    2 September 2023  1:00 pm - 2:00 pm

    1) Paolo Montella - Ossa (7:02)
    2) Mark Vernon - Call Back Carousel Ep 2 - Scotland 1971 (12:44)
    3) Charmaine Bee - Eleven Minutes of Stillness (11:00)
    4) Las Exorcistas - Yo conozco tu locura porque también es la mía (5:28)
    5) Craig Gell - Holywell Coombe (Sweeping Filter) (8:30)
    6) Elene Aladashvili - Dormition of the final light (5:38)
    7) Johnny Dixon - Considering the Marlowe template (1:44)
    8) Pelayo Del Villar - [in]comunicado    5:07


    1) Paolo Montella - Ossa    

    Field recording, as an operation determined by rituals, times, and techniques, qualifies for its non-exhaustive character by releasing the need to be artistically varied. The world seems to arrange itself as a musical paradigm that dictates its syntax and its structural functions. In this work, field recording is grafted onto the practice of interviews. Agata, an 11 years old girl, shows us her field at the center of tense and contradictory forces, between her being a child, wanting to become a woman, her aspirations, and social impositions. Her strength is disarming, and the tone of her voice is exceptionally beautiful.

    Paolo Montella is an electroacoustic composer. Field recording and radical improvisation practices are central to his aesthetic. He focused his research on the relationship between sound and source, meant as a complex phenomenal system. He studied piano, harmony, and classical composition, moreover, he started studying electroacoustic and electronic music. He graduated in Electronic Music at the Naples Conservatory with M° Elio Martusciello. His works have been performed in festivals such as Sonic Cartography (Chatham, UK), XIII CIM (Ancona, IT), Interferenze (IT), Supersonique Festival (Marseille, FR), Martini Elettrico (Bologna, IT), Fixed Room - Tempo Reale (Firenze, IT).

    2) Mark Vernon - Call Back Carousel Ep 2 - Scotland 1971
    3) Charmaine Bee - Eleven Minutes of Stillness

    Eleven Minutes of Stillness is an eleven minute radio interlude of field recordings and serves as a guided meditation of listening to densely populated spaces.  In 2019 I worked at a silent meditation retreat and attended a Dharma talk where the teacher stated that the only way to  find stillness is to remove ourselves from cities.  I find the assertion that the only way to hear ourselves is by removal to be a limiting idea that distances us from the quiet we can find in the denseness of noise. The interludes will contain ambient water sounds, street music and conversations

    Charmaine Bee is a visual artist and herbalist and uses mediums such as sound, video, writing, movement and textile. Their work explores historically charged materials such as rice and indigo which were cultivated in the Sea Islands of South Carolina where Charmaine was raised.  Their work also explores portals as bridges and doorways that connect gaps between space and time and open up our ability to time travel as well as histories of the Black diaspora contained within portal spaces- such as the dreaming space.

    Charmaine Bee received an MFA from Calarts and resides in Salvador, Bahia, Brazil.

    charmainenbee.info       https://soundcloud.com/charmainebee

    4) Las Exorcistas - Yo conozco tu locura porque también es la mía

    I know your madness because it is also mine is a spell against lesbophobia that was cast in a ritual that was first held at the event 'Where strength is born', 2018, National University of Colombia, Bogotá. This piece, a strong potion against lesbophobia, features voices from several Latin American artists who self-identify as lesbians, as well as the recorded sound from the 2018 performance. This piece was especially created for National University Radio as part of the launch of the memory of the event.  

    The Exorcists (Ana María Romano G. and Marta Cabrera) is a creative duo who want to rid the multiverse of homo, lesbo and transphobia.

    https://soundcloud.com/anamariaromano

    https://martacabrera.jimdofree.com/

    5) Craig Gell - Holywell Coombe (Sweeping Filter)

    This piece consists of a field-recording made in Holywell Coombe, an area of countryside on the outskirts of Folkestone town which is part of the Folkestone to Etchinghill Escarpment SSSI. A slowly oscillating band-pass filter explores the variety and interplay of sounds concurrent in the landscape (from aircraft to insects) as it passes through the frequencies within which each sound operates.

    Craig Gell is a sound artist, musician and composer based in Folkestone, Kent. His recent work explores the human relationship with the natural environment, using field recordings, geoscience data and creative programming to produce installations, web apps, sound maps and electroacoustic compositions. Craig also writes more conventional music and has composed for a number of short animated films. He also performs with free improvisors the Free Range Orchestra, Canterbury.

    https://www.craiggellmusic.com
    https://www.soundcloud.com/craiggell
    https://craiggell.bandcamp.com/

    6) Elene Aladashvili - Dormition of the final light

    An experimental piece depicting our beautiful cosmic universe and our home planet that is soon doomed to be destroyed by neglectful human-beings, who always try surpass the cosmological power and become dominant over every inch of matter. Dormition of the final star is a symbol of fading hope, acceptance and mourning. The catastrophic siren letting us know about the fatal death, the death that is happening alone, in darkness, without anyone realizing it…

    Elene Aladashvili is a Georgian singer and composer, who has just graduated from the Tbilisi State Conservatoire. Despite having a background in Classical music, her art projects always differ from one another and tend to combine different genres and aspects of music, by experimenting with the synthesis of modern technological perspectives and the legacy of past centuries. She never declines to face new challenges herself, be it writing music for movies, video games or experimental live performances using MAX/MSP.

    https://www.youtube.com/channel/UCfP5OLbLtw5i1m5N-9javwQ           https://soundcloud.com/kepler001

    7) Johnny Dixon - Considering the Marlowe template

    8) Pelayo Del Villar     [in]comunicado    

    The intercommunication system in the XXI century keeps us in an eternal maelstrom by interconnecting us all the time.  Mobile communications, the internet, Whatsapp, video calls, and social networks allow us to even speak about a possible ubiquity but, consequently, silence now has become practically impossible.
  • Pablo Sanz - Palma

    2 September 2023  2:00 pm - 2:20 pm

    PALMA (21:07)

    La Palma is one of the youngest and currently the most volcanically active of the Canary Islands. This work is based on recordings made in Garafía, in the island’s northwest, during the hottest week on record. The northern region of La Palma is a rugged continuum of steep ravines (barrancos), hills, forests, farmland and settlements accessible through long winding roads and pathways. The composition drifts through different sound spaces, following a 24-hour cycle, from sunrise to late night. It listens to the grajas (an endemic subspecies of red-billed chough), passerine birds, lizards, goats and other animals, the vegetation, the wind, and the rumor of the nearby ocean.
     
    CANARIAS SOUNDWALK explores the sonic ecologies of the Canary Islands archipelago, presenting seven compositions for headphone listening created with environmental sound materials from each of the seven main islands: El Hierro, La Gomera, La Palma, Tenerife, Gran Canaria, Fuerteventura, and Lanzarote.

    The project investigates the vitality of more-than-human entities and realities, aiming to promote less anthropocentric ways of being and thinking. Through different listening strategies and audio technologies, the work concentrates on what usually remains hidden or unnoticed, on the limits and thresholds of perception and attention. The project focuses on the voices and audible presence of animal and plant species, air, soil, water, weather, and landscape formations. Furthermore, it acknowledges the affective power of sounds themselves. This project embraces listening as a creative act, a form of attention, and a tool to investigate the world. It attempts to cultivate intimate sensory encounters favouring affectivity over signification and representation.

    The project was originally commissioned by the Cultural Office of the Embassy of Spain in the US as a permanent public invisible artwork available at multiple locations in Washington, DC. Additional support from the Arts Council of Northern Ireland (ACNI), the Swedish Arts Grants Committee (Konstnärsnämnden) and the Visby International Centre for Composers (VICC). Fieldwork and production assistance: Palma E. Christian Martínez. Special thanks to Garajonay National Park, Teide National Park, and Timanfaya National Park.

    http://pablosanz.info
    https://pablosanz.bandcamp.com
    https://soundcloud.com/pablosanz
    https://www.instagram.com/pabloooosanz/
    https://www.facebook.com/pablooosanz
  • WHAT IS HAPPENING NOW - A telepathic-telematic ritual.

    2 September 2023  2:20 pm - 3:00 pm

    This hybrid telematic-telepathic listening ritual celebrated the 50th-anniversary of Pauline Oliveros’ seminal work ‘Sonic Meditations’ at Cafe OTO. Composed by Ximena Alarcón, it engaged the audience and the musicians Gloria Damjian, percussion (Vienna), Jane Wang, cello (Boston), and Viv Corringham, voice and electronics (New York), in the sensing, transmission and reception of “what is happening now”. Ximena incorporated two of Oliveros’ pieces “One Word” and “Sound word”, using ‘Jacktrip’ telematic audio software supported by Mike O'Connor, and three loudspeakers in the physical venue. This recording, mastered by Gloria Damjian, documents the ritual bringing musicians’ sonic perspective and the audience’s experience.

    BIOGRAPHIES

    XIMENA ALARCÓN
    sound artist-researcher interested in the resonances left in-between geographical migrations. Deep Listening® certified tutor, PhD in Music Technology and Innovation.
    https://www.ximenaalarcon.net

    GLORIA DAMIJAN
    Extended Toy Piano(s), Berimbau, Percussion, Objects
    Composer, performer, visual artist
    http://www.gloriadamijan.com

    JANE WANG
    multi-instrumentalist, instrument builder, multimedia artist. She has composed scores for dance and theater.
    https://en.wikipedia.org/wiki/Jane_Wang

    VIV CORRINGHAM
    US-based British vocalist and sound artist, “a vital force in improvised music since the late 1970s” (Corey Mwamba, BBC Radio 3).
    http://www.vivcorringham.org

    MIKE O’CONNOR
    Telematic production coordinator
    Integrating network and systems technologies to help rehearse, perform, and produce over the Internet.
  • Nichola Scrutton & Zoë Strachan - Lying Over Under Another live in studio

    2 September 2023  3:00 pm - 3:30 pm

    Responding to the visual richness of the poet Edwin Morgan’s sixteen volumes of unpublished scrapbooks, Nichola and Zoë   reimagine the process of scrapbooking through an improvised live-to-broadcast performance combining recorded and live sound with found text from Morgan’s archive. They re-present the diverse materials he collected as bodies (entities) in relation to each other, offering new connections that may be physical, emotional, psychical. Supported by the Edwin Morgan Trust through The Second Life Award and with thanks to University of Glasgow Archives and Special Collections.
  • Nele Möller - H(a)unted Listening

    2 September 2023  3:30 pm - 4:00 pm

    H(a)unted Listening is an experimental radio essay about a hunter and a field recordist.

    A haunted encounter on a misty November morning in a forest in East Germany is the departure for a reflection on (sound)hunting, female forest presence and a strange friendship.
    The radio essay is part of the research project “The Forest Echoes Back”, which oscillates around the Thuringian Forest in Germany. Like many other forests around the globe, it is very much impacted by the climate crisis and an attendant bark beetle infestation. Through sound and forms of listening, the project wants to retrace the forest’s past, present, and possible futures.

    Nele Möller is a Brussels-based artist working primarily in sound, performance, and writing. Her research-based practice focuses on forest conversations, historical nature inscriptions, critical field recording and listening practices. Currently, she is working towards a PhD in the Arts at KU Leuven and LUCA School of Arts Brussels. Her research project ‘The Forest Echoes Back‘ is embedded in the artistic research cluster ‘deep histories fragile memories‘. Since 2023 she has been producing ‘Listening Fields’ at the free radio station Radio Panik in Brussels. Besides that, she performs under the pseudonym Kimberly Clark and released records on Futura Resistenza and RDS Rec.

    Instagram:
    @nele____moeller
    Linktree: https://linktr.ee/nelemoeller?fbclid=PAAaZ7UQ1JbEPOiUjjSqha8E5oCRlZanfCBWQ9x8w8XokkLDUhhtOzvYAtDjI
  • Radio LOOS - June: Walking on a Lichen

    2 September 2023  4:00 pm - 5:00 pm

    A collaborative radio-research project between pantea, located in Barcelona, and Leonie Roessler, located in The Hague. The starting point and initial intention was the creation of a radio piece based on a pattern that is superimposed onto the map of Barcelona and the map of The Hague, determining points which the artists visit and field record. The superimposed structure is that of a Lichen, enlarged many-fold to span a 2.5 km radius around the artists' homes in each respective city. During the month of June pantea and Leonie recorded all the source material for their pieces. The project is now in full swing and the duo is busy with implementing ways of making the map interactive, structuring the radio pieces with all its possibilities of layering the cities, live mixing both locations and further developing the concept of inviting other sound-based communities into this project, e.g. Khamoosh and Sonic Tehran. The map is built on ArcGIS StoryMaps platform with the courtesy of Sonic Tehran Network and can be viewed here: https://storymaps.arcgis.com/stories/5b8059639ca64c118c4b3f31e57444ac

    Produced at https://www.loosdenhaag.com/

    Leonie Roessler - Composer, performer and radio-maker raised in Germany and the US, now based in The Hague, Netherlands.  Leonie captures her environment through field recordings, which she uses for electronic live sets, sound installations, and compositions for soloists and ensembles. She had recent residencies at New Media Society and Limited Access Festival (Iran), Forum Wallis (Switzerland), and The Story of Space Festival (India), and Berlin Circus Biennale (Germany), and Altes Finanzamt (Germany), and at LOOS (Netherlands). Her works have been released through Musica Dispersa (Spain/UK), and Noise á Noise (Iran,) Biodiversità Records, and Syrphe Label, and have been physically archived in the British Library.

    https://leonieroessler.com/

    pantea is a sound-maker and multidisciplinary artist from Iran engaging with narratives of ecological and more-than-human connection. Her work has incorporated performance,  walking, film, photography, and music. More recently, pantea is focused on developing a socially engaged practice by exploring possibilities brought about by sound and listening.  She is passionate about the environment, plants, and wetlands. pantea is one half of the design group Studio Informal and a member of Khamoosh, an artistic research collective dedicated to preserving and archiving Iranian sonic heritage. She has works performed and exhibited internationally across the UK, Netherlands, Germany, Belgium, Croatia, Turkey,  Iran and India.

    https://pantea.bandcamp.com/
  • Tim Murray Brown - Agency of Chaos, unmoved live in the studio

    2 September 2023  5:00 pm - 5:30 pm

    Performed live with real-time AI-rendered audio, Agency of Chaos, Unmoved is a journey on the nature of consciousness. A quotation from Alan Watts is ingested by an AI trained on his work, and gradually transformed into a new form. The struggle of the human combines with the uncanny valley of the AI. In the errors and distortions I hear the struggle of a living being: effort, intention, agency.

    https://timmb.com/agency-of-chaos-unmoved/

    Agency of Chaos, Unmoved is a musical work performed live with real-time AI-rendered audio.

    The computer music pioneer Joel Chadabe described performing with a non-deterministic system as like sailing a boat through stormy seas. A storm has its own agency of chaos, unmoved by whatever intentions I may have in harnessing its forces. In moments of desperation, it’s tempting to think that the storm is aware of our plight as it ushers or torments us.
    If, like me, you are a purist who likes to experience work with an untainted mind, then you might like to listen to the recording to form your own impression before reading my interpretation here.
    At the core of this piece are four versions of the audio-generating AI model RAVE. RAVE is an auto-encoder: it ingests sound, encoding it into its own internal language. It then decodes its own language back into sound. To train it, I give it hours of audio, and it optimises the encoding and decoding process to work well for that audio. (Think of a person training to listen, remember and vocalise a sound. They learn what to listen for, what details to remember and how to recreate a sound from those details.)

    I trained four versions of the RAVE model. One is trained on a corpus of lectures by Alan Watts. Another on every sound I've recorded, including the few seconds attached to each Live Photo taken on my iPhone. A third on all the music and sound art I've ever made. The fourth version is trained on a set of recordings of Adriana Minu, vocal performer and my wife. These were the first recordings of her emergent experimental vocal practice after 10 years of not singing. There is a hint of struggle and vulnerability in her early voice that becomes clearer as her practice continues evolving.

    I experimented by combining these models together in new ways. If I feed the sound of Alan Watts through the model trained on his own voice, I get a slightly distorted version out. The distortion has an uncanny nature to my ears, less like analogue noise or digital glitch, and more like a skilful robotic imitator slipping up here and there. Next, I tried running the models simultaneously, and feeding the internal language encoded by one model into the decoder of a different model. The sound departs further. The dynamics and rhythm remain. The timbre is reminiscent but not quite there.

    There was a magic moment where focus of the piece became clear. I was gradually degrading the quality of the Alan Watts model by modulating its internal representation between encoder and decoder. When I fed these encodings from the Alan Watts model directly into the decoder of Adriana’s model, something else emerged. These sounds were eerie. The struggle of the human combines with the uncanny valley of the AI. In the errors and distortions I hear the struggle of a living being: effort, intention, agency.

    There's an ambiguity in where that struggle is rooted. Is it Adriana's struggle appropriated by the AI? Is it the AI models trying to get through as I reroute their internals into each other, Frankenstein style.

    Acknowledgements
    Developed with support from the Machine Agencies research cluster of Concordia University. With thanks to Fenwick McKelvey and Maurice Jones.
    Thank you to Adriana Minu for letting me use her recordings as training data.
    The piece uses the RAVE model and nn~ Max external developed by Antoine Caillon at IRCAM.
  • Buffer Zone

    2 September 2023  5:30 pm - 6:00 pm

    1) Alexandra Spence - Water bugs (3:11)
    2) Jenny Hval - Smoking (7 mins)
    3) Jeanne Debarsy - Sonic Futures Residencies: Maybe Nothing (14:14)

    1) Alexandra Spence - Water bugs
     
    2) Jenny Hval - Smoking 
     
    For Works for Radio the five artists have made five new, unique works to be played at The Lake. The works will be presented on March 7th 2023 at a listening event at Cinemateket. Hereafter the works will be in rotation at http://www.thelakeradio.com and presented at Borealis festival (NO), Radiophrenia (SCT) and Colaboradio (DE). Radioart as a genre has a long tradition in public service-institutions where artists, writers and composers have made work specifically for the ether. And as a way to rethink this somehow underrated artistic format, we have annually commissioned new pieces of sound that challenges what art for radio can sound like. This year’s artists have been chosen in collaboration with a jury consisting of Radiophrenia (SCT), Colaboradio (DE), Borealis Festival (NO) and The Lake Radio. 
     
    “Smoking started out as a series of recordings I made in Oslo wandering around, meeting people, and traveling on public transportation, but keeping my phone under pillows or clothing. I wanted to make something casual, a collage of everyday life, but from under the skin. Of course this led me to start writing about mothers and daughters... and cigarettes.”  
     
     


    3) Jeanne Debarsy - Sonic Futures Residencies: Maybe Nothing

     
    Sound compositions made by the artists invited for the 4th edition of SONICFUTURE RESIDENCIES organized by SEMI SILENT, and that took place in the village Port Cetate, Romania, on the border of the Danube, in September 2022.

    Artists: Jeanne Debarsy(BE), Veronika Svobodova (CZ), Lloyd Dunn (US/CZ), pablo sanz (ES), JasminaAl-Qaisi (RO), Sillyconductor (RO)

    Artistic director: Anamaria Pravicencu

    http://semisilent.ro

    What happened?

    We don't know exactly

    Of course, there are rumors and echoes

    But they are perhaps only reminiscences

    Time and space seem out of tune

    Behaviors have also changed

    But still, the Danube doesn’t stop flowing.

    With this piece, the author wanted to translate a precise feeling that cradled the 10-day residency in the small village of Port Cetate, in Romania: a strange feeling of the end of the world, with a historically low water level that prevented navigation on the Danube, a very prevalent animal kingdom, few humans, the impression of evolving either in the past or in the future but certainly not in the present.

    Sound piece composed with recordings made during Sonic Futures Residencies in Port Cetate (Romania), a program by SEMI SILENT, co-produced by Babelfish.

    Jeanne Debarsy is a sound artist based in Belgium where she studied to become a sound engineer. She worksi n various domains of sound and collaborates with many artists in cinema, radio, music, and various arts. She is particularly passionate about radio media because it gives her freedom of action and expression precious to her eyes. She continues to develop her own sound language to refine her personal research and to explore the fields of performance and installation.

    https://jeannedebarsy.com

  • Jim Colquhoun and Jamie McNeill - On Cannibalism considered as one of the fine arts

    2 September 2023  6:00 pm - 6:30 pm

    Colquhoun & McNeill found themselves locked in an airless cellar in Rotterdam for what seemed like an eternity. Surrounded by a bewildering array of vintage synths that neither artist had any idea how to switch on never mind play and as their incessant bickering lurched ever closer to the daily fistfight Colquhoun babbled gibberish into a broken cassette recorder whilst McNeill attempted to electrolyse his frontal lobe and not for the last time.

    The trick seemed to be to record everything all the time as every five hours or so a dying synthesiser would vomit a few seconds of barely salvageable audio, its circuits fried by a decrepit power cable or the overzealous application of some Space Echo. From these fragments they were able to construct a gnostic grammar from which to mimic the machines they consistently tried to destroy. Colquhoun had become particularly skilled in apeing the high end screech of a badly patched ARP 2600.

    A guitar lead coils itself slowly into a gordian knot like a snake that can’t quite stomach eating its own head, the calcified circuit board reroutes itself as self-immolating electro-pictograms and in the over-defined flicker and glare of the studio lighting Colquhoun mistakes a toaster for a vintage mic spending yet another wasted afternoon whispering enochian incantations into the heating element.

    https://soundcloud.com/colquhoun-mcneill

    https://www.instagram.com/a_topography_of_melancholy/

  • Lu Lin - hol(e)y, excess: on porosity in bodies and language

    2 September 2023  6:30 pm - 6:45 pm

    Three generations of women eat lunch together. The producer (Lu Lin) was recording her family for a radio documentary and when they took a break to eat, forgot to turn the audio recorder off, culminating in a soundscape of chewing, clanking, slurping, rustling, phatic communication, and other sounds of everyday life. Radio documentary practices relegate this atmospheric material to ‘background noise’, and sounds of slurping and chewing are often tied to table manners and cultural etiquette: excessive and jarring in Western contexts, but normalised in Chinese ones. Inverting these conventions, the producer chose to foreground and accentuate these sounds with echoes, reverbs, and other sound effects, essentially repurposing this ‘surplus’ material into something generative, primal, and musical. This sound work shows how representing and (re)producing matrilineal transmission is beyond a technological process: whereby eating, as an act of sustaining and reproducing one’s own body, also exists in the material process of radio production – even when processes of radio production are suspended, paused.
    Lu Lin is a writer, researcher, and community radio broadcaster, with a creative practice across text and sound. Her work focuses on the intersection between language, environments, and relationships between (not just) human beings and worlds.

      
    https://lu777lin.wordpress.com/

    http://soundcloud.com/lu777lin/
  • Silvia Malnati - Onirica

    2 September 2023  6:45 pm - 7:00 pm

    An intimate exploration of the auditory impressions that people experience while dreaming.  
    Onirica was commissioned by BBC New Creatives in partnership with ICA London.

    Producer: Silvia Malnati  
    Composer: Stefano Galli
    Mixing & Sound Designer: Andrea Campisi
    Executive Producer: Pierre Vella (SPACE)

    Silvia Malnati is a radio producer at Reduced Listening and co-runs the label and series of experimental music events Sagome.

    https://soundcloud.com/silvia-mal
    https://www.mixcloud.com/nice_strangers/stream/
    https://www.instagram.com/sagome.sagome/
  • Live-to-Air - Áine O’Dwyer / Alexandra Spence / Mathew P Hopkins

    2 September 2023  7:00 pm - 9:30 pm

    Tickets are pay what you can and available from:
    https://www.cca-glasgow.com/programme/live-to-air-%C3%A1ine-odwyer-alexandra-spence-mp-hopkins

    Áine O’Dwyer – Court Music

    Court Music will explore the multi-dimensional reality of the CCA. Microphones will be positioned in different places around the room; underneath the audience, from underneath the stage or from inside an instrument...

    Áine O’Dwyer is an multi-disciplinary artist whose work is informed by both the conceptual concerns of sound-art and traditional compositional techniques, embracing the broader aesthetics of sound and its relationship to environment, time, audience and structure. She has created works for large-scale and intimate settings which allow for both planned and chance events to co-exist. Often she listens out for the sonic touchstones of time and place to instruct or accompany her. Poems for Daedalus (2018), was a series of site-specific performances which O’Dwyer developed in Athens. The piece was based on the exploration of a building, its intimacies and the surrounding neighbourhood. Her book 'Poems for play' pays homage to the specificity of time and place. Similarly, the notion of the “holding space as extension-of-instrument” can be seen in O'Dwyer's realisation Accompaniment for Captives (Open Ear Festival, 2019) at Horseshoe bay, Sherkin Island, Ireland. The performance was centred around the intentional choreography of two local fishing boats whose horn signals heralded an “environmental sonic tapestry of land, sea, man and animal.

    Alexandra Spence - Hall, shell, mall, bell.

    A pitch trembles, not quite here nor there. Thick air shimmering. A note encased, small worlds, subtle rhythms. Resonant space – a saucepan, a hall, inside a shell, tambourine body, a reflective mall: shiny and bouncy, the inside of a wooden clarinet bell. Hall, shell, mall, bell. A twig gets caught between my shoe and the earth. A compositional element came through the exchange. Water boiling two eggs, egg bodies tapping out a rhythm together.

    I’ve been keeping short descriptive notes on environmental sounds that pique my interest. Keeping these notes allows me to examine what it is I enjoy in each sound encountered. Using my text descriptions as a kind of score for miniatures, I attempt to reimagine and recreate these sounds using various, unrelated sources; allowing these descriptions to re-compose sonic memory.

    Alexandra Spence is a sound artist and musician living on unceded Wangal land in Sydney. Through her practice Alex attempts to reimagine the intricate relationships between the listener, the object, and the surrounding environment as a kind of communion or conversation. Her aesthetic favours field recordings, analogue technologies and object interventions.

    MP Hopkins – “Creases”

    Encoded extras. Concentrating on the almost of saying. A tissue-thin memory that balances one's tongue. Close voice touching. The infeasible inside. Slipping into the upkeep of the word. Debilitated. Mother. Transcription is the most ideal approach to imprint the basic distance. Wrinkles. Doubt in sharp words. Holes. Hexed words are your singular satisfaction. What has been said can't be replayed. Stammering and sense. Creases in the copyist. Taped recollections mumbling endlessly on the loss of home. Entering the record as gas. Reflected words proposing systems for excusing themselves. Liquidation. A recorder that doesn't have the foggiest idea about how to remain in the pained space around productive language. You hear a song in yourself that steers you clear of yourself. Inscription as a testimony to ejection.

    MP Hopkins is a sound artist and musician working on Gadigal and Wangal land in Sydney, Australia. He uses voice, feedback, recording/playback devices, and text scores within different acoustic environments, which are deconstructed and presented to the listener in delicate and degraded ways.
  • We See You - We Hear You

    2 September 2023  9:30 pm - 10:00 pm

    As part of our public engagement activities for 2023 we have worked with four diverse community groups to create a series of radio and sound works for broadcast on Radiophrenia.     “You see things in different lights, and see people in completely different ways…”     ‘We Hear You’ is an immersive soundscape of stories and real-life experiences, poetry and music, created and designed by some of the many people supported by Simon Community Scotland’s We See You project.  Recording, production and sound design by Steve Urquhart, for Radiophrenia.  We See You supports people in Glasgow city centre who use substances, and who are experiencing homelessness. It offers creative sessions, walking groups, drama workshops and psychosocial support for people in a safe, inclusive and open environment, as well as access to harm reduction interventions and treatment, 365 days a year.
  • Shorts 41

    2 September 2023  10:00 pm - 11:00 pm

    01) Jeff Gburek - Inexplicable Cuts (5:54)    
    02) Instinct Controlled Sounds - Europe Rings (22:41)
    03) Mark Vernon -  Call Back Carousel Episode 3: Brighton Trip (11:30)
    04) Dream Diary - OST #1 A6 (1:00)
    05) Mark Ferguson - Machair Impressions (10:05)
    06) Anna Vienna Ho - Dynamic Zero (1:00)    
    07) Cameron Naylor - Spent (7:00)

    01) Jeff Gburek - Inexplicable Cuts

    Composed of field recordings from Poland, Slovakia, Romania and Bulgaria, the Inexplicable Cuts sequence presents a layered view of 2 years of travel in Eastern Europe that maps changes in climate and mood through means of sound. The aim is to present some purely sonological data to assess the effects of invasiveness.

    Jeff Gburek is a poet, sound-artist, musician & traveller currently based in Poznan, Poland. Jeff Gburek has bandcamp, soundcloud sites. His blog can be searched either by using his name, spellled G-B-U-R-E-K or by typing in Transparent Abelard.  

    http://transparent-abelard.blogspot.com/
    http://soundcloud.com/jeff-gburek
    https://jeffgburekprojects.bandcamp.com/
     
    02) Instinct Controlled Sounds - Europe Rings

    Compilation of sounds from all over the globe.  Live radio manipulation, field recordings, live guzheng, synthetic smooth-overs and electric tremolo.

    Sounds sculpt, paint and otherwise give form to the imaginary and terrific.that surrounds us all always.
    https://www.youtube.com/@ICS_Productions

    03) Mark Vernon -  Call Back Carousel Episode 3: Brighton Trip

    04) Dream Diary - OST #1: A6

    05) Mark Ferguson - Machair Impressions

    Machair. Gaelic; noun [mass noun]. Fertile, wildflower-rich grassland habitat found on the northwestern coastlines of Scotland and Ireland.

    Five sonic impressions from the perspective of a great yellow bumblebee, composed out of source materials gathered around the Hebridean Island of South Uist in August 2019:

    I    Open grassland with red clover and knapweed, from Daliburgh to Askernish.
    II    Internal sounds of thistle, burdock, ragwort and Yorkshire fog grass.
    III    Great yellow bumblebee queen (reconstructed nest interior).
    IV    Bumblebee mating activity (reconstructed nest entrance).
    V    North Atlantic surf, from the ancient burial grounds at Cladh Hallan.

    Mark Ferguson is a wildlife sound recordist and sound artist, best known for his projects exploring UK and European bat, bird and bumblebee species. His award-winning work has been broadcast by the BBC, mentioned by the Guardian, and selected for performance in leading arts and cultural venues around the world. http://www.markfergusonaudio.com

    06) Anna Vienna Ho - Dynamic Zero

    In 2003, severe acute respiratory syndrome (SARS) reached Hong Kong. Many people died and the city was in terror. We wore masks and stopped having face to face lessons, and the economy was badly affected. In December 2019, a new strain of coronavirus closely related to the one that caused SARS, was discovered. The new strain causes COVID-19, a disease that has since spread worldwide, leading to an ongoing pandemic that has killed millions. These years, people in HK are Fighting COVID-19. I used different sounds to express and describe the situation and how people live under the pandemic.

    Anna Vienna Ho is a versatile musician who is a concert pianist, répétiteur, composer, singer and conductor rolled into one. Anna gained an Advanced Postgraduate Diploma and a Master of Music from Royal Birmingham Conservatoire. She is currently an artist of Du Vert a L'infini and the Syntropy States. Anna's compositions include instrumental, vocal, electroacoustic, multi-media and operatic works. She has collaborated with many organizations, including London Oriana Choir, Tête à Tête Opera Festival, Birmingham Opera Company, Fifteen Minutes of Fame project among others. Her compositions are included in the RMN Classical albums.

    https://annaviennaho.wixsite.com/pianosoprano

    07) Cameron Naylor - Spent

    Spent is an exploration of deconstruction, abstraction, and assemblage of sounds to create a series of shifting spaces and contexts. Through the manipulation of a single sound source, I aimed to create a wealth of sound material with which I could piece together to create a new and evolving soundworld, with allusions to both real and abstract spaces and materials, free of all original context.

    Cameron Naylor is an electroacoustic composer and sound artist. Through the manipulation of field recording and abstract sound material, his compositions explore sound and space as a metaphor in musical storytelling.
    His research interests focus on exploring the dramatic potential of sound in a variety of formats, including acousmatic music, sound installations, soundscape for theatre and radio, as well as composition for film and spoken word. Having completed a Masters in Electroacoustic Composition and Interactive Media at the University of Manchester in 2022, he has since gone on to perform and Convergence, MANTIS, SC2022, and SOUND/IMAGE.
  • Shorts 49 - after watershed

    2 September 2023  11:00 pm - 3 September 2023  12:00 am

    1) Mat Ward - Breakfast At Charlies Contained no Fucks Whatsoever (3:53)

    2) Chin Ting Chan - Mirror Sculpture (9:08)

    3) George Finlay Ramsay & Rudi Zygadlo - Raven's Reprise (21:44)

    4) Émile Fegté - First Go (2:14)

    5) Finbarr Dillon - Weddellscape (22:21)


    1) Mat Ward - Breakfast At Charlies Contained no Fucks Whatsoever

    Mat Ward is a musician and researcher whose practice encompasses performance, installation, film scoring, noise art, sonic portraiture, free improvisation and site-specific response. He collaborates extensively with artists across the world and is currently co-ordinating an international art music collective titled Then She Reaches For The Gun featuring more than 50 musicians from 20 countries. Ward's current research focus is the examination of  the acoustic structure of noise; pulling apart field recordings to investigate how the properties of noise have both disruptive and cohesive elements and their relationship to human emotion and communication.
    Then She Reaches for the Gun was formed in 2021 to bring together some of Ward’s disparate collaborative projects through experimental sound collage. Ward invites people (not just musicians) to send him files which he arranges ‘as suggested by the work’ including field recordings, spoken word, noise and pet sounds as well as instrumental grabs. Both the aesthetic and the compositional methods extensively use what Frank Zappa called Xenocrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions that defy easy classification. A lot of it is also funny as fuck.

    https://www.matward.net/
    https://soundcloud.com/no-mates-ensemble

    2) Chin Ting Chan - Mirror Sculpture

    Mirror Sculpture is inspired by over twenty years of observation on a Ficus tree. While its surrounding has changed dramatically, the tree remains vigorous and intact. This shows the impact of time on things at different pace. Our perception or memory of them can vary dynamically, transforming them into a mirror that reflects who we are at different times and stages of our lives. When we are able to adapt to our surrounding with an open mind and curiosity, we not only see a clearer image of ourselves from this mirror, but also through it.

    Hong Kong composer Chin Ting CHAN has been a guest composer at festivals such as IRCAM's ManiFeste, ISCM World Music Days Festival, and UNESCO International Rostrum of Composers. He has worked with ensembles such as City Chamber Orchestra of Hong Kong, Ensemble intercontemporain (France), Ensemble Metamorphosis (Serbia), Ensemble Signal (U.S.), eighth blackbird (U.S.), Hong Kong New Music Ensemble, and Mivos Quartet (U.S.), with performances in more than twenty countries. His recordings appear in more than fifteen albums, and his scores are published through BabelScores and Universal Edition. He is an Assistant Professor of Music Composition at Ball State University. http://www.chintingchan.com


    3) George Finlay Ramsay & Rudi Zygadlo - Raven's Reprise

    An invisible film for an end of the wurld.
    Like a radio play but faster and louder. Verbal gymnastics & contrapuntal bubblegum do a dance with interspecies sex in Walmart parking lots, punch-ups in Morley’s chicken shops & ancient myths dissolved into Instagram memes. Inspired by the trickster origin myths of Northern Pacific cultures & the Coronavirus pandemic. Raven travels through the landscape of the 2020s, transforming herself, from toddler to teen to adult, battling her nemesis Lord Fatberg (who smells suspiciously like Trump & BoJo), hanging out with extinct species at a seaside resort & re-making the wurld to her better designs.

    GF Ramsay (b. 1988, Dundee, Scotland) is an artist working with poetry, ritual and analogue film-making. In 2017 & 2018 he burned hundreds of people's regrets inside volcanoes across Eurasia. His fake epic poem Raven's Reprise (2020) tells of a trickster raven travelling through the pandemic and remaking the world to her better designs. His short film CASTOROCENE (2021) sees beavers re-build the world after humans have destroyed it. Mid length film Family Fugue (2022) is about how we are haunted by, and in turn haunt our ancestors. He is currently making plans to have his body thrown into a volcano after he dies. Ramsay’s work has been presented at Art Basel (CH), Barbican (UK), Beijing People’s Art Theatre (CN), BFI Southbank (UK), Camden Arts Centre (UK), Matadero (SP), Meyerhold Centre (RU), Mubi.com, NTS Radio, L’Orto Botanico di Roma (IT), LUX Scotland (SC), Rupert Residency (LT).

    georgefinlayramsay.com

    Glasgow based citizen of the world, Rudi Zygadlo began putting out electronic music in 2010. He released two albums and an EP with Planet Mu records, an EP on Pictures Music, a single on Diplo’s Mad Decent and a host of one offs on his own imprint, RZ. With an appetite for trickery and disguise, Rudi has also released numerous singles and EPs under the names of Lully and Golden Ratio Syrup. He has remixed Clean Bandit, Leanne La Havas, Sunset Sons, Amadou and Miriam and Electric Guest among others. He has also undertaken various multimedia collaborations. In 2014, he attended Red Bull Academy in New York where he produced a track with Thundercat, and in 2017, created the sound design for Gorillaz award winning Humanz app. He has composed two string quartets and, in collaboration with artist GF Ramsay, Rudi scored Oscar Winner, Tim Yip’s new film Love Infinity, an epic docu-drama about the queer art underworld of London, starring Daniel Lismore, Vivienne Westwood and Gilbert and George set for released on MUBI in 2022.

    4) Émile Fegté - First Go

    A pick-up truck arrives at the off-the-grid community. The gentile farmer has lost too many chickens. Something needed to change. A girl, surrounded by her community, reaches for an adulthood.

    Émile Fegté is a collaborative artist with a penchant for relational dynamics, identity, and religion. Projects he's worked on have been presented by institutions such as SFMoMA, BAM, Framework Radio Visions Du Reel, Viennale, NYFF, NPR, the New School, and covered by publications including the NYTimes, the New Yorker, Vice, Mother Jones, and GQ. He currently lives in California.

    5) Finbarr Dillon - Weddellscape

    This piece is based on a recoding of the Weddell Seals https://en.wikipedia.org/wiki/Weddell_seal recorded under the ice cap in the remote, frozen Southern Ocean around Antarctica, by the McMurdo Oceanographic Observatory, 21 meters below the sea ice. This piece was my entry into the ‘2022 Phonurgia Nova’ field recordings section in the competition, http://phonurgia.fr/en/

3 September 2023
  • Shorts 49 - after watershed

    2 September 2023  11:00 pm - 3 September 2023  12:00 am

    1) Mat Ward - Breakfast At Charlies Contained no Fucks Whatsoever (3:53)

    2) Chin Ting Chan - Mirror Sculpture (9:08)

    3) George Finlay Ramsay & Rudi Zygadlo - Raven's Reprise (21:44)

    4) Émile Fegté - First Go (2:14)

    5) Finbarr Dillon - Weddellscape (22:21)


    1) Mat Ward - Breakfast At Charlies Contained no Fucks Whatsoever

    Mat Ward is a musician and researcher whose practice encompasses performance, installation, film scoring, noise art, sonic portraiture, free improvisation and site-specific response. He collaborates extensively with artists across the world and is currently co-ordinating an international art music collective titled Then She Reaches For The Gun featuring more than 50 musicians from 20 countries. Ward's current research focus is the examination of  the acoustic structure of noise; pulling apart field recordings to investigate how the properties of noise have both disruptive and cohesive elements and their relationship to human emotion and communication.
    Then She Reaches for the Gun was formed in 2021 to bring together some of Ward’s disparate collaborative projects through experimental sound collage. Ward invites people (not just musicians) to send him files which he arranges ‘as suggested by the work’ including field recordings, spoken word, noise and pet sounds as well as instrumental grabs. Both the aesthetic and the compositional methods extensively use what Frank Zappa called Xenocrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions that defy easy classification. A lot of it is also funny as fuck.

    https://www.matward.net/
    https://soundcloud.com/no-mates-ensemble

    2) Chin Ting Chan - Mirror Sculpture

    Mirror Sculpture is inspired by over twenty years of observation on a Ficus tree. While its surrounding has changed dramatically, the tree remains vigorous and intact. This shows the impact of time on things at different pace. Our perception or memory of them can vary dynamically, transforming them into a mirror that reflects who we are at different times and stages of our lives. When we are able to adapt to our surrounding with an open mind and curiosity, we not only see a clearer image of ourselves from this mirror, but also through it.

    Hong Kong composer Chin Ting CHAN has been a guest composer at festivals such as IRCAM's ManiFeste, ISCM World Music Days Festival, and UNESCO International Rostrum of Composers. He has worked with ensembles such as City Chamber Orchestra of Hong Kong, Ensemble intercontemporain (France), Ensemble Metamorphosis (Serbia), Ensemble Signal (U.S.), eighth blackbird (U.S.), Hong Kong New Music Ensemble, and Mivos Quartet (U.S.), with performances in more than twenty countries. His recordings appear in more than fifteen albums, and his scores are published through BabelScores and Universal Edition. He is an Assistant Professor of Music Composition at Ball State University. http://www.chintingchan.com


    3) George Finlay Ramsay & Rudi Zygadlo - Raven's Reprise

    An invisible film for an end of the wurld.
    Like a radio play but faster and louder. Verbal gymnastics & contrapuntal bubblegum do a dance with interspecies sex in Walmart parking lots, punch-ups in Morley’s chicken shops & ancient myths dissolved into Instagram memes. Inspired by the trickster origin myths of Northern Pacific cultures & the Coronavirus pandemic. Raven travels through the landscape of the 2020s, transforming herself, from toddler to teen to adult, battling her nemesis Lord Fatberg (who smells suspiciously like Trump & BoJo), hanging out with extinct species at a seaside resort & re-making the wurld to her better designs.

    GF Ramsay (b. 1988, Dundee, Scotland) is an artist working with poetry, ritual and analogue film-making. In 2017 & 2018 he burned hundreds of people's regrets inside volcanoes across Eurasia. His fake epic poem Raven's Reprise (2020) tells of a trickster raven travelling through the pandemic and remaking the world to her better designs. His short film CASTOROCENE (2021) sees beavers re-build the world after humans have destroyed it. Mid length film Family Fugue (2022) is about how we are haunted by, and in turn haunt our ancestors. He is currently making plans to have his body thrown into a volcano after he dies. Ramsay’s work has been presented at Art Basel (CH), Barbican (UK), Beijing People’s Art Theatre (CN), BFI Southbank (UK), Camden Arts Centre (UK), Matadero (SP), Meyerhold Centre (RU), Mubi.com, NTS Radio, L’Orto Botanico di Roma (IT), LUX Scotland (SC), Rupert Residency (LT).

    georgefinlayramsay.com

    Glasgow based citizen of the world, Rudi Zygadlo began putting out electronic music in 2010. He released two albums and an EP with Planet Mu records, an EP on Pictures Music, a single on Diplo’s Mad Decent and a host of one offs on his own imprint, RZ. With an appetite for trickery and disguise, Rudi has also released numerous singles and EPs under the names of Lully and Golden Ratio Syrup. He has remixed Clean Bandit, Leanne La Havas, Sunset Sons, Amadou and Miriam and Electric Guest among others. He has also undertaken various multimedia collaborations. In 2014, he attended Red Bull Academy in New York where he produced a track with Thundercat, and in 2017, created the sound design for Gorillaz award winning Humanz app. He has composed two string quartets and, in collaboration with artist GF Ramsay, Rudi scored Oscar Winner, Tim Yip’s new film Love Infinity, an epic docu-drama about the queer art underworld of London, starring Daniel Lismore, Vivienne Westwood and Gilbert and George set for released on MUBI in 2022.

    4) Émile Fegté - First Go

    A pick-up truck arrives at the off-the-grid community. The gentile farmer has lost too many chickens. Something needed to change. A girl, surrounded by her community, reaches for an adulthood.

    Émile Fegté is a collaborative artist with a penchant for relational dynamics, identity, and religion. Projects he's worked on have been presented by institutions such as SFMoMA, BAM, Framework Radio Visions Du Reel, Viennale, NYFF, NPR, the New School, and covered by publications including the NYTimes, the New Yorker, Vice, Mother Jones, and GQ. He currently lives in California.

    5) Finbarr Dillon - Weddellscape

    This piece is based on a recoding of the Weddell Seals https://en.wikipedia.org/wiki/Weddell_seal recorded under the ice cap in the remote, frozen Southern Ocean around Antarctica, by the McMurdo Oceanographic Observatory, 21 meters below the sea ice. This piece was my entry into the ‘2022 Phonurgia Nova’ field recordings section in the competition, http://phonurgia.fr/en/